Blurbs

Sometimes writing a blurb is harder than writing the actual book. The blurb is the little “description” that appears on retail sites and on the back cover of a paperback. It’s meant to attract readers to the story. Which… isn’t easy.

Back in the day, when I was working with publishers, sometimes I had to provide a book blurb, but sometimes the publisher took care of it. And even when it was my responsibility, the editor would often tweak what I sent in. But now, since I’m self-publishing, I’m the only one responsible for the blurbs. And I’m not great at them.

I keep finding myself trying to cram way too much information into my book blurbs. I end up with something that’s more of a synopsis. Which isn’t a horrible thing, but that’s not the purpose of a blurb.  Although it’s taken me a while to get this through my head, the blurb isn’t supposed to summarize the story. It’s supposed to give just hints of the story and the themes and conflicts so readers will want to read the book itself and find out what’s going on.

When I wrote the blurb for Ebb and Flow, I was more intentional about what I was doing, and I posted it for feedback in a Facebook group I belong to that exists for the purpose of people getting feedback on their blurbs. I would say the blurb for Ebb and Flow is still far from perfect, but it’s much better than what I’d written for my other books.

Recognizing that, I spent the past couple-few weeks rewriting the blurbs for my published books. I struggled mightily with a few of them, while others just flowed pretty easily. As with the Ebb and Flow blurb, the new ones on my other books aren’t perfect, but they are better.

The one I think I’m proudest of is the blurb for Fill the Empty Spaces. That was one of the ones that just flowed, and I think it’s the one that’s the biggest improvement over the original. For comparison, here’s the blurb I originally had on Fill the Empty Spaces:
“Austin and Del were the love of each other’s life for two decades–until a drunk driver took Austin away. In his grief, Del leaves his job and pushes away most of his friends. Austin would want him to go on living, but how can he when Austin is gone?
In an effort to help, Del’s friend Remy books them an afternoon at a local cat cafe. There, Del bonds with Charlie, a senior cat who wears sweaters to cover his lost fur, and Lochlan, a human who volunteers at the cafe. On impulse, Del signs up to volunteer there too. Over time, with the friendship of Lochlan, Charlie, and the rest of the resident cats, Del starts to pick up his pieces and create a life without Austin.
As Del and Lochlan’s friendship deepens and Lochlan shares his deepest secrets, Del realizes he’s falling for the other man. He’s finally living again, but can he let himself love again?”

So… that blurb gives way too much summary of the story. Although the cat cafe and Charlie do play roles in the story, they aren’t really the major *parts* of the story, and so probably don’t belong in the blurb. And there’s no indication in the blurb that the story has a paranormal element.

When I had to republish all of my books due to accidentally deleting my Amazon account, I tweaked that blurb… but it ended up even worse, with even MORE TMI and details that didn’t belong in the blurb. The second version:
“Austin and Del were the love of each other’s life for two decades…until a drunk driver ended Austin’s. Now Del struggles to get through each day without his partner.
In an effort to get Del back into the realm of the living, Austin’s honorary sister Remy books an afternoon at a local cat cafe. A visit which changes Del’s existence. He bonds with Charlie, a senior cat with health issues who wears sweaters to cover his lost fur, and with Lochlan, a human who volunteers at the cafe. On impulse, Del signs up to volunteer there too. And with the friendship of Lochlan, Charlie, and the rest of the resident cats, Del begins to live again.
As Del and Lochlan’s friendship deepens, Lochlan admits one of his deepest secrets: He is a psychopomp, a human who guides spirits to the “crossing point” at the time of their death. In his need to understand Austin’s death, Del interrogates Lochlan, and Lochlan turns away from him. During the weeks of no contact, Del emerges more into life, and realizes, in Lochlan’s absence, that he is falling for Lochlan. When they finally reconnect, the sparks are there, but only a few months after Austin’s death, can Del let himself love again?”

Again, it’s more of a synopsis than a blurb. The nature of Lochlan’s deepest secret is meant to be a reveal, both to the reader and to Del, and yet here it is being spoilered in the blurb. And it’s way too long.

Now, here is the current version, the one I’m actually happy with:
Everything was empty.
Not literally. My apartment was still filled with the remnants of my life with Austin. That was the problem.
The things were there. Austin wasn’t, and he never would be again.
Twenty years of love ended in an instant the night a drunk driver hit Del Nethercott’s partner Austin. In his grief, Del has pushed away most of his friends and is barely existing. Austin would want him to go on living, but how can he without the love of his life?
Over the next few months, Del finds his way into his new reality with the help of Austin’s drag sister Remy, a sweater-wearing cat named Charlie… and Lochlan, a man hiding a supernatural secret.
As Del works through his grief, he and Lochlan grow closer, until Del realizes he feels more than friendship for the other man. Only months after losing Austin, Del isn’t ready to love again. But maybe he’s ready to hope.”

Still not perfect. But a vast improvement, in my opinion, over the second version, and a pretty big improvement over the original. No spoilers, no TMI, and it isn’t a synopsis.

I’m still getting the hang of writing blurbs. But I think I’m getting there.

Progress and Process

For far longer than I anticipated, I’ve been working on Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7). I wrote a draft that took me over 3 months to complete, which is nearly twice as long as my drafts usually take, and then realized that that draft was mostly unusable. There wasn’t enough action, and Kyle Slidell, my vegan werewolf who narrates this book, was almost entirely just narrating instead of being part of the story. Some aspects of the story didn’t work, and some either contradicted or ignored plot points from the previous books.

So I started over.

I spent about a week doing a brainstorm/outline of the book, which isn’t something I typically do, but this time it felt necessary so I could make sure the book actually proceeded as planned. The brainstorm came to 15 pages, longer than some short stories I’ve written.

And within the first week of working on the new draft, the outline was pretty much out the window. Because my werewolves are oppositional cusses.

I kept working on the book, but after a while decided I needed a new brainstorm/outline so I could keep track of what was going on. I spent about 3 days on the new brainstorm.

And now half of *that* one is out the window.

On the plus side, the book is proceeding much more smoothly than the original draft. Even though the werewolves keep throwing me curveballs. I hope to have this draft finished within the next week or so.

Bring On the Broccoli will be available in January. (Unless the werewolves have other ideas.)

New Month, New Projects

Well, technically one of the projects I’m currently working on isn’t new. After spending a week going through my universe bible (the document in which I try–and sometimes fail–to keep track of all the details of the world in which my books are set, plot points of the books, characters, and so on) and previous books, and writing a brainstorm that’s longer than some short stories I’ve had published, I’m now working on the rewrite of Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7). I wrote a draft of this book previously, but because of personal life stuff that was happening, I wasn’t able to focus on it as much as I needed. I also hadn’t done a sufficient amount of brainstorming and planning. I wound up with a draft that left out a couple of really important plot pieces that needed to carry over from previous books, had one character acting far more out of character than could reasonably be explained (even though his acting out of character is an arc in the next few books of the series), and had Kyle Slidell, the narrator, acting more as a narrator and less as a participant in the story.

It needed a LOT of work. So I’m pretty much starting from scratch. This time, because I did the necessary preplanning, I have a better idea of where the story will go and how to get it there. This draft is already going better than the previous one. Bring On the Broccoli will be released in January.

I’m also working on the cover for Ebb and Flow, my next release, which will be out in October. I’m hoping to put Ebb and Flow up for preorder this coming week, and I would really, really like to have the cover done before that.  (A cover isn’t required to put a book up for Amazon preorder, but I would *like* to have the cover when I set up the preorder.) So far, it hasn’t been exactly easy. Finding stock photos of models who fit my mental image of Quinn and Malachi was difficult at best, especially when there are certain aspects of their appearance that are stated in the book and so needed to be on the cover. I’ve seen some people say that models on book covers don’t have to look exactly like the characters, it’s more important that they fit the “vibe” of the genre, but honestly, as both an author and a reader it bugs the hell out of me when the model(s) on the cover of a book don’t match the in-book description of the character(s) they’re supposed to represent.

I think I’ve gotten the right models. I’m a little worried that people will assume the one representing Quinn is underage; he does look young to me. (Then again, now that I’m in my mid-50s, anyone under 40 looks young to me…) But going by some of the other pictures of the model available on the stock site, he is an adult, even if he’s a young-looking one. And Quinn looks young; he’s 22 and “far too thin,” according to the description.

I’m even more concerned about being able to put together the cover the way I envision it. I do make my own covers, because I enjoy doing it, but I’m far from professional and there are some tricks and intricacies of the program I use (GIMP, which is a free program similar to Photoshop) that I haven’t learned yet or am still figuring out how to use. I will end up with a good cover, but it might not be the exact cover I’m seeing in my mind.

So that’s what I’m working on as we begin a new month. And this is the background I’ve chosen for the Ebb and Flow cover. It’s from a picture I took from the ferry between Prince Edward Island and Nova Scotia; somewhat fitting since most of Ebb and Flow takes place on a private island in Nova Scotia.

New Newsletter Thank You

When people subscribe to my newsletter, they receive a free gift as my thank you. For the past several months, it was a free PDF of the young adult novel Fresh Meat, which details the origin story of Tobias Rogan from the Real Werewolves Don’t Eat Meat series.

I like to swap things out occasionally,  so I was planning to put up a new thank-you, but was having trouble figuring out what to use. I wanted something connected with my existing books, which meant that most of the short stories and previously-published novellas I have were out. (Some of those are set in the same universe as my current books, but they aren’t *connected* to those books.)

After spending enough time reading and learning about newsletters and marketing to make my eyes ache, I had an idea. Which I have now implemented.

The first 3 books of the Real Werewolves Don’t Eat Meat series are told in first-person narration from the point of view of Kyle Slidell, the vegan werewolf. Which means that in those three books, we only see Kyle’s side of the story. Including in the first chapter of the first book, Salad on the Side, where he is still human, heavily crushing on his neighbor Tobias (who he doesn’t know well yet), and completely confused when Tobias strips in the garden between their apartment buildings–and then a wolf appears.

I got to wondering: What was *Tobias’s* take on that? How did he feel about having a human moving into the pack’s midst? Was he crushing on Kyle as much as Kyle was crushing on him? And what did he think when he realized Kyle saw him in the garden?

So I wrote it. And it is now available to new subscribers to my newsletter; current subscribers were sent the link yesterday to download it if they choose.

To sign up for the link to “Side Salad,” Tobias’s version of chapter one of Salad on the Side, go to my Free Story page and fill in the form. This will add you to my newsletter list, but you can unsubscribe at any time.

This Week Is Hectic!

This is a hectic week, but hectic in a good way.

Thursday is the official release day for A Fighting Chance! I put this book up for Kindle preorder on April 26, and on May 9 it will release for Kindle and paperback.

I’ve been making some tweaks to my release schedule going forward. Take Some Tahini (Real Werewolves Don’t Eat Meat 6) will release in July as scheduled; after that, my next release will be in October of this year. I’ve discovered, in trying to do 6 releases this year, that that pace isn’t exactly sustainable for me, especially since I’ll also be releasing some young adult fiction (under my Jo Ramsey pen name) starting in 2025. So I’m lowering that plan by one book for 2024, and will be releasing five books instead of six, and for 2025 I’m planning four releases. There might be an extra short story or two released over those couple of years, but I’m not currently *planning* those. So another part of the hecticness of this week is rearranging my release schedule and, by extension, my writing and editing schedule.

And I’m getting ready to take a trip to watch my younger kid graduate from veterinary school next week! Packing and coordinating travel plans with the others who are going is one of the most hectic things, but it is so amazingly worth it to watch my kid’s dream–almost literally a lifelong dream, they’ve wanted to be a veterinarian since they were about three years old–come true.

So that’s where I’m at this week. I’m also continuing to plan “wide” releases of my books (making them available through retailers in addition to Amazon) but have hit a minor snag with some of the existing books that is delaying getting those put out through other vendors. I am continuing to work on it.

Available for Preorder!

A Fighting Chance (Chance Met 2) is now available for Kindle preorder! The book will release on May 9 in Kindle and paperback formats, and will be available through Kindle Unlimited.

This is a sequel to Chance Met, which was released in March 2023. I had hoped to have A Fighting Chance out in March of this year, but chose to spend additional time having it beta read and proofed, and then did some rewrites. But it is ready now, and you can preorder your Kindle copy on Amazon.

New Project Underway

After going back and forth with myself about it, last Tuesday I started a new book.

Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7) picks up about three months after Tempeh for Two and Take Some Tahini (both of those books take place in the same month). It’s in Kyle Slidell’s point of view and involves discovering that some alphas, including a Massachusetts one, are even less ethical and invested in their packs’ best interests than previously realized.

I haven’t gotten very far into the story yet, so there isn’t much to share at this point, but I’ll add updates here weekly until the book is done. Bring On the Broccoli is planned to release in January 2025.

A Fighting Chance Cover Reveal

Now that my newsletter subscribers have had the first look, I wanted to share the cover of A Fighting Chance with y’all. A Fighting Chance is the sequel to last year’s Chance Met, continuing the story of werewolf single father Trey Damone, psychic human Jeremiah Crawford, and Trey’s seven-year-old son Michael. A Fighting Chance will be available for Kindle preorder on April 25 and will release for Kindle and in paperback on May 9; I have plans to release it and Chance Met wide later this year.

Hooch and Howls Preorder Is Up!

On Leap Day, I put my historical M/M/M novella up for preorder! Hooch and Howls was originally published in 2012. When I looked through it with an eye toward rereleasing, I came across one scene that completely made me cringe. The original concept of the story was that the werewolf, Malachi Powers, was affected overly strongly by even the smell of alcohol, with the result that he joined in on sex with two humans without their consent. As originally written, consent was given retroactively (the humans said they were fine with what had happened), but given that I wanted Malachi to be a *heroic* character since he appears in the next Real Werewolves Don’t Eat Meat novel and is being spun off into his own novel and possibly series, I couldn’t leave that scene as written.

So for the rerelease, I did some major rewrites of that scene. While Malachi is still affected by the fumes of the hooch the humans spill, and he is admittedly spying on them when they start their sexual encounter, he quickly realizes he shouldn’t be there. And the humans *explicitly* call to him and invite him to join them before he does anything.

The rest of the book has been revised and re-edited, and it will be released wide on March 14 in digital versions. I’m also doing a paperback version of it because I like having physical books. You can find your retailer and preorder your copy at my universal book link. And here’s the cover!

Tiny Book

As previously announced, on March 14, I will be rereleasing my novella Hooch and Howls. This is a historical M/M/M novella, set against the backdrop of the rumrunning trade in 1930 Lunenburg, Nova Scotia. I’ve done some heavy rewrites on part of the story, and some minor revising and re-editing on the rest.

Because this is a novella, not a novel, I was planning to release it only in digital formats. But… I like having *physical* copies of my books. I’ve tried reading on Kindle (and I’ve had three different kinds of Kindle devices over the years), and it makes my eyes do weird things. Plus I can’t flip back and forth through the pages, and…well, I like holding a book, not an electronic device, in my hands.

So I’m considering–strongly–doing a paperback version of Hooch and Howls as well. I’m sure some people wouldn’t want it, and that’s fine, but *I* want it. I want to have a physical copy of the book to hold in my hands.

Do you prefer ebooks or physical books? Or do you have a preference?