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Blurbs

Sometimes writing a blurb is harder than writing the actual book. The blurb is the little “description” that appears on retail sites and on the back cover of a paperback. It’s meant to attract readers to the story. Which… isn’t easy.

Back in the day, when I was working with publishers, sometimes I had to provide a book blurb, but sometimes the publisher took care of it. And even when it was my responsibility, the editor would often tweak what I sent in. But now, since I’m self-publishing, I’m the only one responsible for the blurbs. And I’m not great at them.

I keep finding myself trying to cram way too much information into my book blurbs. I end up with something that’s more of a synopsis. Which isn’t a horrible thing, but that’s not the purpose of a blurb.  Although it’s taken me a while to get this through my head, the blurb isn’t supposed to summarize the story. It’s supposed to give just hints of the story and the themes and conflicts so readers will want to read the book itself and find out what’s going on.

When I wrote the blurb for Ebb and Flow, I was more intentional about what I was doing, and I posted it for feedback in a Facebook group I belong to that exists for the purpose of people getting feedback on their blurbs. I would say the blurb for Ebb and Flow is still far from perfect, but it’s much better than what I’d written for my other books.

Recognizing that, I spent the past couple-few weeks rewriting the blurbs for my published books. I struggled mightily with a few of them, while others just flowed pretty easily. As with the Ebb and Flow blurb, the new ones on my other books aren’t perfect, but they are better.

The one I think I’m proudest of is the blurb for Fill the Empty Spaces. That was one of the ones that just flowed, and I think it’s the one that’s the biggest improvement over the original. For comparison, here’s the blurb I originally had on Fill the Empty Spaces:
“Austin and Del were the love of each other’s life for two decades–until a drunk driver took Austin away. In his grief, Del leaves his job and pushes away most of his friends. Austin would want him to go on living, but how can he when Austin is gone?
In an effort to help, Del’s friend Remy books them an afternoon at a local cat cafe. There, Del bonds with Charlie, a senior cat who wears sweaters to cover his lost fur, and Lochlan, a human who volunteers at the cafe. On impulse, Del signs up to volunteer there too. Over time, with the friendship of Lochlan, Charlie, and the rest of the resident cats, Del starts to pick up his pieces and create a life without Austin.
As Del and Lochlan’s friendship deepens and Lochlan shares his deepest secrets, Del realizes he’s falling for the other man. He’s finally living again, but can he let himself love again?”

So… that blurb gives way too much summary of the story. Although the cat cafe and Charlie do play roles in the story, they aren’t really the major *parts* of the story, and so probably don’t belong in the blurb. And there’s no indication in the blurb that the story has a paranormal element.

When I had to republish all of my books due to accidentally deleting my Amazon account, I tweaked that blurb… but it ended up even worse, with even MORE TMI and details that didn’t belong in the blurb. The second version:
“Austin and Del were the love of each other’s life for two decades…until a drunk driver ended Austin’s. Now Del struggles to get through each day without his partner.
In an effort to get Del back into the realm of the living, Austin’s honorary sister Remy books an afternoon at a local cat cafe. A visit which changes Del’s existence. He bonds with Charlie, a senior cat with health issues who wears sweaters to cover his lost fur, and with Lochlan, a human who volunteers at the cafe. On impulse, Del signs up to volunteer there too. And with the friendship of Lochlan, Charlie, and the rest of the resident cats, Del begins to live again.
As Del and Lochlan’s friendship deepens, Lochlan admits one of his deepest secrets: He is a psychopomp, a human who guides spirits to the “crossing point” at the time of their death. In his need to understand Austin’s death, Del interrogates Lochlan, and Lochlan turns away from him. During the weeks of no contact, Del emerges more into life, and realizes, in Lochlan’s absence, that he is falling for Lochlan. When they finally reconnect, the sparks are there, but only a few months after Austin’s death, can Del let himself love again?”

Again, it’s more of a synopsis than a blurb. The nature of Lochlan’s deepest secret is meant to be a reveal, both to the reader and to Del, and yet here it is being spoilered in the blurb. And it’s way too long.

Now, here is the current version, the one I’m actually happy with:
Everything was empty.
Not literally. My apartment was still filled with the remnants of my life with Austin. That was the problem.
The things were there. Austin wasn’t, and he never would be again.
Twenty years of love ended in an instant the night a drunk driver hit Del Nethercott’s partner Austin. In his grief, Del has pushed away most of his friends and is barely existing. Austin would want him to go on living, but how can he without the love of his life?
Over the next few months, Del finds his way into his new reality with the help of Austin’s drag sister Remy, a sweater-wearing cat named Charlie… and Lochlan, a man hiding a supernatural secret.
As Del works through his grief, he and Lochlan grow closer, until Del realizes he feels more than friendship for the other man. Only months after losing Austin, Del isn’t ready to love again. But maybe he’s ready to hope.”

Still not perfect. But a vast improvement, in my opinion, over the second version, and a pretty big improvement over the original. No spoilers, no TMI, and it isn’t a synopsis.

I’m still getting the hang of writing blurbs. But I think I’m getting there.

Long week…

I didn’t do a post last week because I was in the middle of doing multiple other things. Good things, but things that really required a lot of brain power.

First, I got a new car. New to me, that is. (It’s actually nearly 10 years old.) This was vital, since my previous car needed nearly $10,000 worth of work to keep it on the road, and at least $4000 just to pass my state’s vehicle inspection. I’ve gotten the  new car registered and inspected, and so far, so good. I have a tendency to name my cars; this one is named Suzannah, partly after the Boston North Pack healer in the Real Werewolves Don’t Eat Meat series.

Second, I started a new job. I’m working part time as a “float” at a nearby private daycare. A float is a staff member who covers different classrooms while the main teachers take their breaks or if a main teacher is absent for some reason. The work is tiring, especially with my health concerns, but it’s fun. The kids are already starting to know me and ask if they get to have me in their room that day (the ones who can talk, anyway) or act really excited about seeing me (the ones who can’t talk yet).

And, in the actual writing side of my life, I FINISHED Bring On the Broccoli. Finally! This was the rewrite of the book; I had finished it a couple-few months ago, but I was far from happy with that version, so I started over. I’m now doing final-final proofreading of Ebb and Flow in preparation for releasing that book on Oct. 10 (it’s already available for Kindle preorder), and then I’ll be working on edits for Bring On the Broccoli.

Progress and Process

For far longer than I anticipated, I’ve been working on Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7). I wrote a draft that took me over 3 months to complete, which is nearly twice as long as my drafts usually take, and then realized that that draft was mostly unusable. There wasn’t enough action, and Kyle Slidell, my vegan werewolf who narrates this book, was almost entirely just narrating instead of being part of the story. Some aspects of the story didn’t work, and some either contradicted or ignored plot points from the previous books.

So I started over.

I spent about a week doing a brainstorm/outline of the book, which isn’t something I typically do, but this time it felt necessary so I could make sure the book actually proceeded as planned. The brainstorm came to 15 pages, longer than some short stories I’ve written.

And within the first week of working on the new draft, the outline was pretty much out the window. Because my werewolves are oppositional cusses.

I kept working on the book, but after a while decided I needed a new brainstorm/outline so I could keep track of what was going on. I spent about 3 days on the new brainstorm.

And now half of *that* one is out the window.

On the plus side, the book is proceeding much more smoothly than the original draft. Even though the werewolves keep throwing me curveballs. I hope to have this draft finished within the next week or so.

Bring On the Broccoli will be available in January. (Unless the werewolves have other ideas.)

Red Sun In the Morning

There’s an old rhyme that my mother (who grew up in a fishing town by the Atlantic Ocean) and my father (who simply found it amusing) taught me:

Red sky in the morning, sailors take warning. Red sky at night, sailors delight. My dad tended to add “Red sky at noon, sailors play the bassoon,” but I’m pretty sure that wasn’t originally part of the rhyme.

In my next book, Ebb and Flow, red sun and red sky play a role. Quinn Boucher, the younger recently-changed werewolf, sees “colors,” as he calls them: auras around people, and sometimes just colors overlying everything. When someone is about to die, in Quinn’s view, the “sun goes red.”

Meanwhile, Quinn’s mate Malachi Powers, who is over a century old and not pleased to have a mate who’s so much younger, watches the sunrise and recites the rhyme to himself to honor the memory of his two human lovers, Roger and Jonathan, who died decades ago.

This morning, due to smoke over my area from wildfires in the western United States and Canada, the sun actually did go red. I took this picture from my front steps. The sky wasn’t actually this dark; somehow, zooming in on the sun darkened the rest of the picture. Other than zooming in (with my phone camera), I made zero alterations to this.

Ebb and Flow is available now for Kindle preorder, and will release October 10 for Kindle, including Kindle Unlimited, and in paperback.

Ebb and Flow for Preorder!

I’m experimenting with different lengths of preorder periods for my books. When I started self-publishing in spring 2022, I was doing a one-month preorder, but I wasn’t getting orders. So I shortened it to two weeks. Which sometimes meant I got preorders, and sometimes not.

(To be fair, some of the lack of preorders is due to my lack of saying “There’s a preorder available.” And to the lack of links in my published books… but that’s hard to sort out, and I’m working on figuring out how best to do it. I freely admit that marketing/promoting my books is by far my weakest point.)

After reading advice from several authors I know who are making a solid living from their books, I’ve decided to try putting up preorders *earlier* than a month prior to release. I’m still tweaking how much earlier, and how to best get the word out, but I’ve started with Ebb and Flow, my next novel, which will release on October 10.

Ebb and Flow is a spin-off from Real Werewolves Don’t Eat Meat, specifically Take Some Tahini, which introduces Quinn Boucher and Malachi Powers, a mated pair with obstacles including living in different countries, grieving previous partners, and Malachi being VERY unhappy that, as a werewolf who’s about 130 years old, he has a mate who’s only 22.  Malachi was actually introduced in my historical paranormal male menage novella, Hooch and Howls, and when I decided Take Some Tahini would bring Tobias and Kyle to Nova Scotia, I knew Malachi would turn out to be a character in that book. But I did not know he and Quinn would turn out to be mates until they did…Sometimes my stories take on a life of their own.

Ebb and Flow picks up a few weeks after Take Some Tahini and depicts how Quinn and Malachi start building their relationship. It’s available now for Kindle preorder, and on Oct. 10 will be available for Kindle, including Kindle Unlimited, and in paperback.

The heart of the wolf yearns for his mate.

Only weeks after the massacre of half his pack, Quinn Boucher is finding his footing as a guard of the U.S. Anax, the ruler of all werewolves in the country. But something is missing: His mate Malachi. Despite whatever fate drew them together, Malachi won’t accept Quinn—and that hurts like hell.

Decades after losing his human lovers, lone wolf Malachi Powers still grieves. The last thing he needs is a mate, especially one over a century younger. But when Quinn returns to Nova Scotia to assist the Canadian Anax, they reconnect and Malachi can no longer deny their bond.

Together, Quinn and Malachi build their relationship. But there are those who want the Anax dead—and Quinn and Malachi are caught in the crossfire. Will they be torn apart before their life together can begin?

This book includes discussions of past sexual assault and depictions of grief and mourning. It also includes consensual commanding of a character and an adult character being called “boy.” This book is set in the Real Werewolves Don’t Eat Meat universe but is not a direct part of that series.

New Month, New Projects

Well, technically one of the projects I’m currently working on isn’t new. After spending a week going through my universe bible (the document in which I try–and sometimes fail–to keep track of all the details of the world in which my books are set, plot points of the books, characters, and so on) and previous books, and writing a brainstorm that’s longer than some short stories I’ve had published, I’m now working on the rewrite of Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7). I wrote a draft of this book previously, but because of personal life stuff that was happening, I wasn’t able to focus on it as much as I needed. I also hadn’t done a sufficient amount of brainstorming and planning. I wound up with a draft that left out a couple of really important plot pieces that needed to carry over from previous books, had one character acting far more out of character than could reasonably be explained (even though his acting out of character is an arc in the next few books of the series), and had Kyle Slidell, the narrator, acting more as a narrator and less as a participant in the story.

It needed a LOT of work. So I’m pretty much starting from scratch. This time, because I did the necessary preplanning, I have a better idea of where the story will go and how to get it there. This draft is already going better than the previous one. Bring On the Broccoli will be released in January.

I’m also working on the cover for Ebb and Flow, my next release, which will be out in October. I’m hoping to put Ebb and Flow up for preorder this coming week, and I would really, really like to have the cover done before that.  (A cover isn’t required to put a book up for Amazon preorder, but I would *like* to have the cover when I set up the preorder.) So far, it hasn’t been exactly easy. Finding stock photos of models who fit my mental image of Quinn and Malachi was difficult at best, especially when there are certain aspects of their appearance that are stated in the book and so needed to be on the cover. I’ve seen some people say that models on book covers don’t have to look exactly like the characters, it’s more important that they fit the “vibe” of the genre, but honestly, as both an author and a reader it bugs the hell out of me when the model(s) on the cover of a book don’t match the in-book description of the character(s) they’re supposed to represent.

I think I’ve gotten the right models. I’m a little worried that people will assume the one representing Quinn is underage; he does look young to me. (Then again, now that I’m in my mid-50s, anyone under 40 looks young to me…) But going by some of the other pictures of the model available on the stock site, he is an adult, even if he’s a young-looking one. And Quinn looks young; he’s 22 and “far too thin,” according to the description.

I’m even more concerned about being able to put together the cover the way I envision it. I do make my own covers, because I enjoy doing it, but I’m far from professional and there are some tricks and intricacies of the program I use (GIMP, which is a free program similar to Photoshop) that I haven’t learned yet or am still figuring out how to use. I will end up with a good cover, but it might not be the exact cover I’m seeing in my mind.

So that’s what I’m working on as we begin a new month. And this is the background I’ve chosen for the Ebb and Flow cover. It’s from a picture I took from the ferry between Prince Edward Island and Nova Scotia; somewhat fitting since most of Ebb and Flow takes place on a private island in Nova Scotia.

New Newsletter Thank You

When people subscribe to my newsletter, they receive a free gift as my thank you. For the past several months, it was a free PDF of the young adult novel Fresh Meat, which details the origin story of Tobias Rogan from the Real Werewolves Don’t Eat Meat series.

I like to swap things out occasionally,  so I was planning to put up a new thank-you, but was having trouble figuring out what to use. I wanted something connected with my existing books, which meant that most of the short stories and previously-published novellas I have were out. (Some of those are set in the same universe as my current books, but they aren’t *connected* to those books.)

After spending enough time reading and learning about newsletters and marketing to make my eyes ache, I had an idea. Which I have now implemented.

The first 3 books of the Real Werewolves Don’t Eat Meat series are told in first-person narration from the point of view of Kyle Slidell, the vegan werewolf. Which means that in those three books, we only see Kyle’s side of the story. Including in the first chapter of the first book, Salad on the Side, where he is still human, heavily crushing on his neighbor Tobias (who he doesn’t know well yet), and completely confused when Tobias strips in the garden between their apartment buildings–and then a wolf appears.

I got to wondering: What was *Tobias’s* take on that? How did he feel about having a human moving into the pack’s midst? Was he crushing on Kyle as much as Kyle was crushing on him? And what did he think when he realized Kyle saw him in the garden?

So I wrote it. And it is now available to new subscribers to my newsletter; current subscribers were sent the link yesterday to download it if they choose.

To sign up for the link to “Side Salad,” Tobias’s version of chapter one of Salad on the Side, go to my Free Story page and fill in the form. This will add you to my newsletter list, but you can unsubscribe at any time.

My Executive is Dysfunctioning

Being neurodivergent, I have a brain that sometimes cooperates with me and sometimes doesn’t. The more I have on my figurative plate, the less my brain cooperates.

Over the past week or so… it hasn’t exactly been cooperating. I’ve been deep in the thick of revisiting how I approach writing and publishing. Since I started self-publishing a little over 2 years ago, I’ve looked at it as something I want to have fun with that might also bring in some royalties. Which is what it has been.

But more and more, I’m realizing that I want to reach more readers and have more visibility in the world. I want to be one of those authors that someone thinks to recommend when someone else asks for werewolf books, or less-known authors, or books with cats in them, or whatever. I want to be more intentional and thoughtful about what I write, when I write and release it, and how I let people know it exists. So I’ve been doing a deep dive into planning, reading or watching info from authors who are where I want to be, reconsidering my writing schedule, and so on.

On top of doing that, I’ve also been driving rideshare, continuing my weekly volunteering at a local cat cafe, keeping the house reasonably clean, trying to make sure I have something resembling supper ready for my kid when they come home from work (I call them my kid because it’s the only gender-neutral term we’ve agreed on for their relationship to me; “child” doesn’t work because they aren’t one, and they don’t like “offspring” or “spawn”, but they aren’t a kid, they’re in their 20s), trying to find a job that *isn’t* driving rideshare, trying to replace the car that I’ve had for five years that has been pretty much destroyed by driving rideshare…you get the idea.

(This week at the cat cafe, I apparently was the official lap… here’s a picture of Speedy, or as one of my friends referred to him, “a fluffy raincloud,” lying on me.)

There’s been a lot going on. And sometimes, my brain just glitches out. Like yesterday, when I literally could not figure out how to bring a paper prescription to the pharmacy, get the meds from the pharmacy, do the grocery shopping, and do rideshare. I wound up not getting the prescription filled. (It’s for the kid’s cat, who needs eye drops periodically, so it wasn’t urgent.) But I also wound up not being able to figure out anything to make for supper, because I’m not adept at cooking and struggle to follow recipes–or to even find a recipe I want to try–and by the time I got home with the groceries, my brain was just like “Nope, not cooking, screw it.” I had a microwaved veggie burger and ice cream for supper. Kid fortunately had gotten food on the way home from work so didn’t need me to prepare anything for them.

Today… who knows? I won’t be leaving the house. The one thing I’ve promised myself is that Saturday is my day to stay home, rest, and catch up on things that didn’t get done because I had to *leave* the house to do rideshare and errands and such. (The only exception is if I’m visiting family or there’s something special going on.) But I’m still trying to do the planning and learning and housework (oh my). And I do want to make an actual supper tonight, but I’ve already got that organized and just need to actually put things in a pot and cook them later.

I’ve always had issues with organization, time management, etc. When I was growing up, and even in my early years as an adult trying to hold down a full-time teaching job, I was told that I was lazy, that I could do it if I wanted to, that I needed to “try harder,” that I obviously just didn’t care about getting things done properly. None of which was true, but in those days–that makes me sound old, but then I realize that “those days” were actually over three decades ago, so maybe I *am* old–not as much was known about autism and ADHD and CPTSD and other things that alter the way someone’s brain works and processes. I’m realizing through my kids’ experiences that all the things I was condemned and insulted and bullied about, and all the things that made holding a job effectively so much harder for me than it appeared for other people, weren’t laziness or lack of caring or lack of trying. They were because my brain is not wired like the brains of the people who were saying those things to me.

When I was teaching, after a little trial and error, I found an organizational system that worked for ME, for the way MY brain works and processes. (I also found a principal who bitched at me for using my system instead of doing things the way she wanted me to, even though my way ensured that I was the most effective teacher for my students and their parents and that all the paperwork and lesson plans were actually being completed; that job didn’t last long.) In my personal life, my writing life, etc., I’ve had to do similar trial-and-error things to find out what works for me, instead of getting hung up on what other people say *should* work for me. Things like folding and sorting each item of clothing as I remove it from the dryer, instead of yanking it all out of the dryer and into the basket, then having to fold it later. Or color-coding the stages of my writing projects so I can see at a quick glance where I am with which book.

But it does take trial and error, and when I add a new thing, or entire new set of things, to the table, as I’m doing now with the planning and learning about writing and marketing and such, sometimes my inner executive stops functioning. And I’ve learned to be kind to myself when that happens, because I know *now* (at age 54) that that doesn’t happen because I’m lazy or don’t want to do it, it’s because my brain is wired differently and sometimes needs a break or a different approach.

At least takeout food is a thing…

Excitement!!

This past week has been an AMAZING week for me as an author!

 

 

 

First, on Thursday (July 11), I released Take Some Tahini. Releasing a book is a major accomplishment, and I’m proud of myself for getting this one out there.

 

 

Also on Thursday, I was notified that Fill the Empty Spaces was a winner in the Paranormal category of the Regal Summit Book Awards! Fill the Empty Spaces is not like my typical books and doesn’t get the love I’d like it to get, especially since I donate 25% of the royalties from that book to the cat cafe where I volunteer and I would love to give the cafe more money, so having it recognized like this makes me very happy.

 

 

On Friday, I got a 4.75 star (out of 5) review for Take Some Tahini from Camille at Joyfully Jay! As I’ve blogged previously, I was a little nervous about how readers and reviewers would react to Take Some Tahini… but this was one of the best reviews any of my books have gotten, including the books that were published between 2009-2016!

And finally, also on Friday, I finished the first round of edits on Ebb and Flow, the book I’ll be releasing in October. And I was sad when I finished… I didn’t want to leave Quinn and Malachi’s story just yet. I think that’s a good sign…

How was your week?

Release Week! and a couple of updates

This coming week marks the release of Take Some Tahini (Real Werewolves Don’t Eat Meat 6), the first never-before-published Real Werewolves Don’t Eat Meat novel since 2014!

I’m both nervous and excited to see what readers think of the book. I first wrote it back in fall 2022, then in 2023 almost completely rewrote it because it wasn’t what I wanted it to be. I’m quite happy with the finished product, but how *I* feel about it doesn’t matter as much as what *readers* think.

The book has been up for Kindle preorder for a little over a week now, and will be released on July 11 in Kindle, including Kindle Unlimited, and paperback. This is the longest Real Werewolves book by far, clocking in at well over 300 pages not counting the sample chapter of Ebb and Flow that’s included at the end (because Ebb will be released in October). You can preorder, and purchase the Kindle edition once it’s released, on Amazon.

 

As for the updates:

First, I have finally finished the first draft of Bring On the Broccoli (Real Werewolves Don’t Eat Meat 7)… but, like Take Some Tahini, it isn’t quite what I want it to be. I’m hoping I’ll be able to fix it on edits, but if not, I’ll end up doing a complete rewrite, as I did with Take Some Tahini. That would result in this book’s release being pushed back to July 2025, instead of January 2025 as currently planned. Stay tuned for further updates.

Second, I’ve heard from a couple of readers asking when/if I’ll be releasing my books through retailers in addition to Amazon. My original plan was to have all books available through multiple retailers by… well, before now. I ran into a couple of snags with that, one due to content in most books that I hadn’t been able to remove due to the formatting, and one due to my accidental deletion of my Amazon books. Fortunately(?), the second snag gave me a solution to the first one; I have now been able to remove the problematic content and so have versions of the books that other retailers will be willing to carry.

However, I am still debating and crunching numbers. Authors like me, who release exclusively through Amazon, do so for multiple reasons. In my case, it’s partly because of the Kindle Unlimited program, which allows readers to subscribe for a small amount per month and read as many books as they like. Authors who enroll their books in the program are required to have their books available *only* on Amazon, and are paid by number of pages read of their books. This is somewhat problematic, because Amazon keeps changing the per-page amount, which means some months authors earn far less than they would like, and also because Amazon doesn’t consider that sometimes an author hasn’t *chosen* not to be exclusive, such as when books are pirated, and just goes and kills the accounts of any author whose books are found anywhere else, even on known pirate sites that the author clearly didn’t put their own books on. A number of authors I know have chosen to pull out of the Kindle Unlimited program because of these issues. The retailer Kobo has introduced a program called Kobo Plus, which is a subscription service similar to Kindle Unlimited but without the exclusivity requirement, and I’m keeping an eye on how other authors are doing in that program, but for the moment most readers who sign up for a subscription-based service still seem to be going for Kindle Unlimited. (Understandable, since Amazon is probably  the best-known book retail site.)

Currently, despite the issues with per-page payment, over half of my writing income comes from Kindle Unlimited. All of my full-length novels are enrolled in KU. By comparison, my novella Hooch and Howls is *not* in KU and is available for sale through multiple retailers. In March, the month I released Hooch, I earned less than a quarter of what I earned in January, the month I released Tempeh for Two, which *is* in KU.  (For transparency, in January I earned $175; in March, I earned $25.) While I obviously want readers to be able to read and enjoy my books, to some extent I do have to make decisions about my writing and publishing from a business standpoint. I’m not doing this only for the love of writing, though that is my primary reason; I also have bills I need to pay. On the flip side, when I accidentally deleted my Amazon account in May, the only books I had available were Hooch and Howls and my Christmas short story Snow on Christmas Eve, since both of those were available through other retailers.

I have not made a definite decision yet, and I continue looking at the numbers and considering what is best for me and my books. For the moment, all of my novels are in Kindle Unlimited, which has a 90-day term that auto-renews unless the renewal is manually canceled. When I republished after the Great Deletion of May 2024, I chose to put all books back into KU for the first 90 days and then reassess and decide whether I’m ready and able to release them through other retailers (in which case I would cancel the KU renewal), or want to continue with Kindle Unlimited for another 90 days. Likewise, Take Some Tahini will be an Amazon exclusive for the first 90 days, at which time I will reassess. While I have heard from a couple of readers who prefer not buying from Amazon, I have also heard from several who can only afford books because of Kindle Unlimited, and therefore won’t read books that aren’t available through that service, so there are factors to consider in addition to whether it makes financial sense *for me* to remove the books from KU. I will keep my readers informed.