2024 Here We Go!

It’s a new year. Which is a little mind-boggling. December went by way too quickly.

It’s now 2024, and I’m still kind of wrapping my head around that. Usually I spend December, and sometimes start as early as October, planning the upcoming year. My goals, my hopes, my “if there were no objects in the way” dreams. It’s a month or more of daydreaming, brainstorming, Tarot and oracle cards, and various other means of sorting out what I want to do, what I’m capable of doing, and what I would really love to do if I could figure out how. I didn’t do that this year. At the beginning of December, something hit my life (and the lives of a number of others in my social circle, as well as my family) very hard, so I didn’t have the bandwidth to do much more than process, grieve, and figure out how to reconstruct my day-to-day life.

However. I do have some plans for 2024. It might be worth noting here that I don’t do “New Years resolutions.” For me, personally, resolutions are the “I should do this” things that usually get put aside because either I can’t figure out *how* to do them or because I only decided to do them because I thought I “should.” I don’t deal with shoulds anymore. As one of my past therapists was fond of saying, I stopped shoulding all over myself. I make goals and plans, not resolutions.

For 2024, tentatively, I’m planning:

1.To release Tempeh for Two (Real Werewolves Don’t Eat Meat 5) on January 11. This book is already up for Kindle preorder! I’ll also be releasing Real Werewolves Don’t Eat Meat 6, titled Take Some Tahini, in July. Take Some Tahini is the first brand-new Real Werewolves Don’t Eat Meat novel since 2014; the previous five, including Tempeh for Two, were originally published between 2011 and 2014. (All the rereleases have been revised, updated, and re-edited, and some have been expanded with new content.)

2. To figure out the timing of the rest of my release schedule. For 2023, my original plan was to release books in January, March, May, July, September, and November. But my March release, Chance Met, got held up because of personal life stuff as well as issues with expanding it, so instead of releasing the second week of the month as intended, it came out toward the end of March. Because of that, I didn’t want to have a May release, because it wouldn’t have given me enough time to promote both books. So I skipped May, made the September release an October release instead, and then wound up doing a Christmas story in November after deciding not to release anything that month. Yeah, it was all as confusing as it sounds. For 2024, I’m currently planning releases in January, April, July, and October, with another Christmas story at the end of November/beginning of December, but that might change.

3. To make all of my books available “wide,” meaning through multiple retailers. This means they will no longer be available through Kindle Unlimited, which requires that books be sold exclusively on Amazon. I apologize to my readers who prefer KU because of finances or other reasons. There are multiple factors behind my decision, including a reduction in the amount Amazon pays authors for Kindle Unlimited reads and hearing from readers who would like to buy my books but won’t or can’t by from Amazon. After considering and talking with other authors, I decided it would be worth trying having my books available through other retailers in addition to Amazon, including Kobo and Barnes & Noble. I’ll be starting this change in February with Fill the Empty Spaces, followed by Chance Met in March. Tempeh for Two, along with the rest of the Real Werewolves Don’t Eat Meat series, will be available through Kindle Unlimited until April, at which time the entire series will be released through other retailers. I’m still fine-tuning how I’ll approach new releases; my options are either release them through all retailers from the beginning, or make them Amazon exclusive–and available through Kindle Unlimited–for the first 90 days after release, then put them with other retailers. Stay tuned for announcements on that as I make decisions and see how releasing my books wide affects my sales and readership. Yes, I write books because I love writing books… but I also do it to help pay my bills, and sometimes that means needing to make decisions that benefit the bank account.

4. To start a subscription. A number of my fellow authors have Patreon or Ream accounts through which they offer readers bonuses and perks for a monthly subscription fee (which in some cases is as low as $1 a month!) I actually have a Patreon but haven’t done much with it because creating things for it and promoting it felt like a little too much. I’ve been following those other authors, though, and learning more about how to make it all work without breaking my brain, so I hope to either brush up my Patreon for a relaunch or set up a Ream subscription (Ream is like Patreon but exclusively for writers) by my birthday, June 30. If you read this and have thoughts about what you’d like to see offered through a subscription like this, please leave a comment!

5. To release the follow-up to Chance Met, titled A Fighting Chance. This book will probably conclude Trey and Jeremiah’s story, as it brings their romance to a logical happy-for-now ending as well as tying up plot threads introduced in Chance Met. I don’t really see anywhere for their story to go after this one. This is the only “I’m not completely sure yet” plan on this list; I haven’t decided whether I’ll actually release this one. If I do, it will be out in March or May.

6. To rerelease my novella Hooch and Howls. Originally published in 2012, this is a historical MMM novella featuring a crotchety hermit werewolf and two young men sucked into the rumrunning trade in 1930 Nova Scotia. I’ve rewritten a portion of this novella to address a plot point I found…we’ll say distasteful, and I’m looking forward to reintroducing Malachi Powers, the hermit werewolf, and his love interests Roger and Jonathan to the world. And speaking of Malachi…

7. To release a new novel, currently titled Ebb and Flow. This novel follows from Take Some Tahini, but is not part of the Real Werewolves Don’t Eat Meat series. (You can tell, because the title doesn’t reference a vegan food.) In Tahini, Tobias meets a young werewolf named Quinn Bouchard, who had a traumatic entry into the werewolf world that reminds Tobias of his own. After Quinn’s pack ejects him for reasons beyond Quinn’s control, Tobias takes him in as one of his guards and brings Quinn with him and Kyle to meet with the Anax of Canada. While in Nova Scotia for that meeting, they meet Malachi Powers (yes, the one from Hooch and Howls, which is why I plan to rerelease that novella), a friend  of the Canadian Anax–and, as it turns out, Quinn’s mate, something which disturbs Malachi both because Quinn is mourning the loss of his partner and because of a major age gap; Malachi is somewhere around 150 years old, while Quinn is only 22. Though their story begins in Take Some Tahini, it’s fully formed in Ebb and Flow, which I’m currently in the process of writing and am very much enjoying. I hope to have this novel ready to release in September or October.

Other plans, particularly for book releases, are in flux right now. But the good thing about planning and writing and working for myself (and my readers) is that I have the ability to be flexible.

I hope your 2024 is off to a wonderful start! If you have plans you’d like to share, leave a comment!

 

 

Two More Days!

In two days, I’ll be putting Tempeh for Two up for preorder! The book will officially release on January 11 in Kindle and print formats; the preorder will be Kindle only since Amazon doesn’t allow for preorders of paperbacks. This book will be available through Kindle Unlimited until April, at which time I’ll be pulling all of the Real Werewolves Don’t Eat Meat books out of KU so I can release them through vendors in addition to Amazon.

I’m looking forward to having this book out there. This will complete the rereleasing of the original 5-book Real Werewolves Don’t Eat Meat series. In July 2024, the series will continue with the first brand-new book to be released since 2014, Take Some Tahini.  And there’s a spin-off or two coming as well. These werewolves get pushy about having their stories told!

I’ve shared the Tempeh for Two cover before, but here it is again because I like it (and because I’m typing this over Christmas weekend and so I’m keeping it short so I can go on with holiday prep).

New Gift for Subscribers!

Do you want to see how Tobias Rogan became a werewolf and rose to become Alpha of Boston North Pack? Tobias’s origin story, Fresh Meat, is now available in PDF format for free!

Fresh Meat was originally published in 2012 by Featherweight Press, a children’s/young adult imprint of MLR Press. MLR was the original publisher of the Real Werewolves Don’t Eat Meat series, so when I decided to write Tobias’s story as a young adult novel, I approached Featherweight to publish it. Because at the time I was still trying to keep Karenna Colcroft *completely* separate from my young adult persona Jo Ramsey, the publisher and I agreed on the explanation that “Jo Ramsey” was a fan of “Karenna Colcroft” who’d gotten Karenna’s permission to write Tobias’s story. I’m outing myself now: Jo Ramsey and Karenna Colcroft are both me.

When I started rereleasing the Real Werewolves Don’t Eat Meat novels, I debated what to do with Fresh Meat. I wanted the story to be available, but currently I have no plans to self-publish my young adult stuff, since that’s a harder sell than romance. (I may reconsider that over time, but right now, I am focusing solely on romance.) But recently, as I realized I’d had the same giveaway short story for over a year, I decided to make Fresh Meat the new giveaway.

Until May 2024, the e-version of Fresh Meat, revised and re-edited, is available exclusively to those who sign up to receive it. Due to technology disagreeing with me, Fresh Meat is available only in PDF format. (The file is hosted through this website, and the website won’t allow me to upload EPUB format.)  Fresh Meat does include content that is potentially triggering for some readers, so I have an alternative story available for those who want to sign up for my mailing list but don’t want to read Fresh Meat; instructions on how to get the alternate story are in the email you’ll receive when you sign up.

To get your copy of Fresh Meat (or the alternative short story “Christmas Eve Snow”), just fill out the brief form at https://karennacolcroft.com/get-your-free-story/. This will add you to my monthly newsletter list; you can unsubscribe at any time.

Tired of constant fighting at home, fifteen-year-old Tobias Rogan dreams of getting out. Of never having to care for his younger sisters again. Of living a life far from New Hampshire. And when Tobias meets Larry Denning, he believes he’s found his chance.

But in one afternoon, Tobias’s life is turned upside-down . Larry attacks him. Tobias awakens to find that he’s been changed into a werewolf. The local pack Alpha takes him in, and Tobias begins to adjust to his new life as the pack searches for Larry to punish him for breaking shifter law in changing a minor.

Then Larry changes another boy and dumps him at the Alpha’s home as a warning to Tobias. Tobias is no longer willing to wait for the pack to find Larry. He sets a plan in motion—a plan for revenge.

This book was previously published in 2012. This version has been revised and re-edited from the original. It includes an inappropriate relationship between a 15-year-old boy and a man who claims to be 22; on-page emotional abuse and an incident of physical abuse; an on-page though vaguely described incident of SA; and a werewolf killing another werewolf. Some readers may find this content triggering.

One More Week…

Of not working full-time, that is. On Monday the 18th, I start my new job as a preschool teacher’s aide. To the best of my knowledge, this is a full-time job (I’m still waiting for some final details from the school and staffing agency, and I have to admit I’m a bit irked/anxious about not having gotten all the info yet…), which will mean some experimenting and juggling as I try to form a new routine that includes time for writing and promoting my books, time to run errands and do housework, and, perhaps most importantly, time to relax and sleep. I’ve learned the hard way over the past several years that short-changing myself on time to just exist (and rest, and sleep) leads to health issues that keep me from doing *anything*, so I will be prioritizing myself and my needs over everything else as I adjust to having this job.

So far, that doesn’t look like it will affect my writing or the releases I’ve already planned for the rest of this year and 2024. But, as I wound up having to do this year, I will adjust things if needed to free up the time I need to take care of myself. Fill the Empty Spaces, slated for October 12, is still a definite, and so are the next two Real Werewolves Don’t Eat Meat books, Tempeh for Two in January 2024 and Take Some Tahini in July 2024, but beyond that, I’m not making any concrete plans until I see how working impacts my health, focus, and time management.

Writing Updates

I’ve been working on a few things this past week, trying to get some stuff done and some stuff started as I prepare to go back to work. I start a new job on the 18th! Which I’m honestly a bit nervous about; it’s been a long time since I worked a full-time job, and part of me worries that my physical and mental health won’t be up to it. But I’ve made my employer aware that I have health issues, and I’m looking at this as a good stepping stone. We’ll see how it goes.

Meanwhile:

  • I’ve still been working on A Fighting Chance. And fighting *with* it. I had ideas of where the story was going to go, but the story doesn’t seem to want to go there. Even so, I think I’m hitting a good stride with it and hope to have the first draft finished before I start my job. Assuming all goes as planned, A Fighting Chance is slated for release in March.
  • I finished editing Tempeh for Two (Real Werewolves Don’t Eat Meat 5, the last book of the originally-published series). This involved scrapping a few plot points that I’d added the last time I edited, which were no longer relevant to the series as a whole; they’d come from a heterosexual romance novel I’d written that was intended to be part of the companion series to this one. Since I scrapped the hetero series, I decided the plot points I’d added to Tempeh not only didn’t work anymore but weren’t really needed, so I removed them. Which, fortunately, streamlined the story and re-increased the action. Tempeh for Two is slated for release in January.
  • I did final(ish) proofreading of Fill the Empty Spaces and created the cover for it! I wasn’t sure I liked the cover at first, especially since one of the features I needed in the GIMP program to make the cover I wanted doesn’t seem to be working on the newest version of the program so I had to find a workaround. But the cover has grown on me, and I’m particularly happy to have been permitted to include Charlie the Sweater Cat on it. Charlie was a resident at the cat cafe where I volunteer; due to a cluster of health issues, he unfortunately had to be put down at the beginning of July. He became a character of sorts in Fill the Empty Spaces, though, and the owner of the cafe approved that and granted me permission to use one of the photos I took of Charlie as part of the cover art. Fill the Empty Spaces will be available for preorder on the 28th of this month, and will be released in Kindle and paperback formats on Oct. 12! (Stay tuned for whether I put this one in KU; based on some issues other authors have been experiencing lately with KU, I’m considering not going that route with this book, but I haven’t completely decided yet.) I’ll share the cover here soon, but I’ve promised to reveal it in my newsletter first.
  • I started plotting the rewrite I’ve decided I need to do on Take Some Tahini (Real Werewolves Don’t Eat Meat 6, the first *new* RWDEM book since 2014!) I love this book as I’ve written it, but it’s kind of a “breather episode” of the series, and I have the feeling the lower-stakes, lower-action nature of it won’t meet reader wants or expectations. So I’m revamping it to match the stakes and action level to the previous books of the series, and I will probably be pulling the “breather” aspects of the story to release as a freebie or a newsletter subscriber perk. Take Some Tahini is slated for release in July 2024.

 

Healing My Writing

I love writing books.

For several years, I couldn’t say that. Most of my life, writing was therapy for me. It was how I sorted out all the “how to human” questions I had as an undiagnosed neurodivergent person. It was how I explored gender and relationships during times when I couldn’t explore those in my own life. It was how I processed trauma, how I fixed things, how I tried to figure things out.

At some points in my life, it was literally how I stayed alive.

Then, in 2014ish, I started struggling. At that point, I was five years into being a published author. My books were selling poorly, and sales were getting worse all the time. Publishers were going out of business, in one case taking my rights to my books with them. (They allegedly sent me rights reversion notices for all the books; I never received those notices and my emails requesting that the notices be re-sent were ignored.) Publishers were doing… let’s say interesting mathematics when it came to calculating royalties.

I was struggling with the pace I’d set myself; I was writing both romance and young adult fiction, and I was so afraid readers would forget me if too much time passed that I was pushing myself to write a book or more every single month. But the idea well was running dry, and I was starting to get feedback and criticism about repetitious characters and plots. Which didn’t help my mental state or my view of my writing, which meant my writing suffered even more.

At this time, I was also dealing with some personal life/mental health stuff. Past trauma resurfaced along with the infliction of new trauma at the hands of someone I trusted. Since the trauma was sexual, I became unable to write sexual content–which was necessary content in my romances. It all culminated in my having such a massive panic attack while trying to write that I almost had to be hospitalized.

I stopped writing romances in 2015. My novel Dawn Over Dayfield–which was more romantic suspense than actual romance and included only one very brief sexual scene–was the last Karenna Colcroft thing I wrote before I gave up entirely on romance writing and tried to focus on my young adult books. But once Karenna Colcroft was put into hibernation, my YA writing started to suffer as well. My last YA novel (under the author name Jo Ramsey) was written in 2016 and published in 2017… and then I gave up entirely on writing. For the next several years, other than occasional blog posts and really long Facebook posts, I wrote nothing.

After a couple-few years, I started writing again. This time, I wrote nonfiction books connected to the channeling and mindset coaching business I was attempting to build (https://riverlightbearer.com). I enjoyed creating those books and started thinking maybe I could write *something* again.

In 2020, during the pandemic days of sitting at home with little to do, my partner and I were talking about the shortage of children’s fiction that includes accurate, positive depictions of pagan spirituality, alternative family structures, and other concepts. My partner looks after an elementary-school-aged girl; I have a grandson about the same age. I said to myself, “I’m a writer. Maybe I could write books for those two kids that have the concepts my partner and I talked about.” So I did. I wrote a series that currently numbers five books; it was supposed to be 8, but one of the plot points in book 6 gave me issues because it was too close to something that had just happened in my own life. But those five books did get written, and as with the nonfiction, I chose to self-publish them. (https://www.amazon.com/dp/B0BC4TVKZ3)

And then in 2021, when my younger kid was staying with me for the summer and I was trying to find ways to occupy myself without intruding into the space they were using while staying here, I started rereading some of my published books. For a few years, I’d bandied about the idea of rereleasing my Real Werewolves Don’t Eat Meat series, but I kept deciding not to. I didn’t want to do the work of editing the books. I didn’t think they would sell. I didn’t have time. I came up with a ton of reasons that all boiled down to the fact that I was still recovering/healing from the issues in 2014 and 2015, and I simply wasn’t ready to resurrect Karenna Colcroft and try writing again.

But in 2021, rereading those books, I thought, “Damn, these are GOOD! I was a good writer.” And I decided it was time for Kyle, Tobias, and their friends to see the light of day again. I even wrote three brand-new romance novels, one of which was published last year; the other two won’t be published because they are heterosexual romance, and I realized pretty quickly in 2022 that focusing on male/male romance both results in better connections with readers and other authors *and* is better for my mental health. (Though one of those other two novels will be scavenged to form the plot of Real Werewolves Don’t Eat Meat 7, and some components of the other are forming part of the framework and plot of A Fighting Chance, my current work-in-progress that’s a follow-up to Chance Met.)

And seeing that I was able to update and revise the RWDEM novels, that readers wanted them and that readers and authors from the “before times” remembered me and were happy to see me back, I started loving writing again.

Well… mostly. Sometimes the characters and plot points still give me angst, and don’t even get me started about writing the *blurbs*. But I am enjoying writing books again. And I’m excited to start sharing new things as well as rereleasing some of my favorites from my previously-published works.

Release Week!

Happy July! This week marks the release of the newly revised and updated version of Try the Tofu (Real Werewolves Don’t Eat Meat 4). I’m so glad to bring Tobias’s perspective back to the series; unlike the first three books, Try the Tofu is narrated by Tobias Rogan, the Alpha who is mated to the world’s only(?) gay vegan werewolf. Of course, his mate, Kyle Slidell, still plays a major role, but Try the Tofu and book five of the series, Tempeh for Two, are very much Tobias’s stories as the werewolf world faces a threat from a very unexpected source.

Because we’re in Tobias’s head for this book, in addition to better understanding who he is and why, we get a deeper glimpse into the traumas he’s experienced and the PTSD he lives with. Some parts of this book were difficult to write and may be painful or triggering for readers. Tobias is a strong, powerful Alpha, but that doesn’t mean he’s “gotten over” the traumatic events of his past. He does experience PTSD. He has anger issues. Despite being a werewolf, he is very human.

But he is also arguably the most powerful Alpha in the United States. He’s a compassionate leader and friend, a caring partner, and an advocate for those like him who have lived through trauma and live with its aftermath.

I hope readers enjoy getting to know him on a new level in this book! Try the Tofu is available on Amazon for Kindle preorder and will release Thursday, July 13, in Kindle and paperback formats.

It’s Available!

Try the Tofu is now available for preorder!

This is book 4 of the Real Werewolves Don’t Eat Meat series. Unlike the first three books of the series, this one (and the next two, which will release in January and July 2024 respectively) is from the point of view of Tobias Rogan. Alpha werewolf, trauma survivor, sexually submissive, and the mate of Kyle Slidell, the world’s only(?) gay vegan werewolf. Try the Tofu is much more Tobias’s story than Kyle’s, though of course Kyle still plays a big role.

As Alpha Tobias Rogan and his mate Kyle Slidell prepare to travel to the regional Alpha gathering, Tobias receives a threatening phone call: If he brings his mate to the gathering, Kyle will not return to Boston. But stubborn Kyle, believing the threat is actually against Tobias, refuses to stay home.

Tobias’s foreboding is proven correct when a visiting stranger challenges Zane Wolfskin, Arkhon of the Northeast Region, to a fight for rank–and wins. Tobias and his allies learn that the challenge was part of a larger plan to destroy their region, something Tobias will not allow. To prevent disaster, Tobias must challenge the new Arkhon himself. But can he survive the attempt?

This book was originally published in 2013 by MLR Press. This version has been revised, re-edited, and updated from the original. It includes conflict between mates and reference to a past physical fight between those mates; mention of past murder, abduction, and child abduction; violence between werewolves; references to past abuse and sexual assault; and depictions of PTSD.

Try the Tofu will officially release, for Kindle (including Kindle Unlimited) and in paperback, on July 13. I’ll be doing a blog tour through Other Worlds Ink, and will post the links to the host blogs here on my site as those posts go live. You can preorder your Kindle copy on Amazon now (and I really wish I could figure out a way to do preorders for paperbacks..)

“Stop Writing Damaged Characters”

One of the most common pieces of writing wisdom that gets bandied about is “write what you know.”

One of the things I know–much more thoroughly than I would prefer–is trauma. I have experienced various forms of trauma throughout my life, beginning at a very young age, and I live with Complex PTSD among other diagnoses.

I also live with neurodivergence. I don’t have a formal diagnosis of autism, but several medical and mental health professionals have expressed their belief that I am autistic, and even if I’m not, trauma also alters how one’s brain works and therefore is a form of neurodivergence.

Those things tend to show up in my writing. Many of my primary characters have experienced trauma in their lives, and some are still deeply affected by it while others have received support in learning to manage their PTSD. I write characters whose experiences and way of navigating the world make sense to me, which means that often, they are like me.

Early on in my writing career, nearly a decade and a half ago, I submitted a book to a publisher I’d been working with. This was probably my fifth or sixth book with them; I can’t recall for sure, because it was a long time ago. And like the other books, this one had a heroine (this was when I was almost solely writing heterosexual romance) who had a trauma history and was still being affected by it as she tried to progress in her healing journey and in her relationship with the hero of the story.

The publisher told me I needed to stop writing damaged characters, because readers didn’t want to read about people like that.

The publisher was wrong.

It is absolutely true that some readers don’t want to read about characters who aren’t perfect, especially in a romance story. And that’s fine; those readers are not my target audience.

It is *also* absolutely true that there are plenty of readers who are, themselves, trauma survivors who are struggling with their pasts and how it has affected their minds and their way of navigating the world. And despite what this publisher said to me, I received reviews and messages from some of those readers thanking me for not only *accurately* depicting PTSD in my books but also for showing that one does not have to be “fully healed” from trauma (something I don’t believe is even possible, healing is a *journey*, not a destination) in order to find love, respect, and a healthy relationship.

The other thing my publisher was wrong about is that my characters are “damaged.”

Being traumatized does not mean someone is “damaged.” Living with PTSD or mental illness is not “damage.” (Some people prefer to use that term for their own experiences, and that’s valid; I take issue with the term being applied to *other people*, especially by someone who doesn’t actually have lived experience with these things.) It means that one’s life has been altered. One’s perceptions and understanding of themselves and the world have been changed. But I am not “damaged,” and neither are my characters, though some of them certainly *feel* as if they’ve been damaged.

In my Real Werewolves Don’t Eat Meat series, Tobias Rogan is the Alpha of a very small werewolf pack in Boston. He is also, as we learn as the series progresses, the most powerful werewolf in the United States. He *chooses* to remain with a small pack because he doesn’t want power. He doesn’t want to rule others. He simply wants to make people’s lives better.  But his power and dominance are innate, and he uses them to help those he cares about–which eventually extends well beyond his pack.

Tobias is also a trauma survivor. He grew up in an abusive household. He was changed to werewolf at age 15 (in violation of shifter law) in a very traumatic assault. Decades later, when the series takes place, he still experiences flashbacks and other signs of PTSD. Which *affect* him, of course… but they do not render him “damaged.” They do not prevent him from being a fair and powerful Alpha werewolf. And they do not prevent him from finding, accepting, and building a life with his mate, Kyle Slidell.

I did not listen to that publisher all those years ago. And I continue not to listen. I write characters who have lived experiences I understand and can relate to. And I will continue to do so.

More Release Updates

The best-laid plans and all of that…

I’ve spent the past couple of weeks looking at the plans I’d made for releases and rereleases and realizing a few things.

First… while I do need to plan things somewhat in advance, when I try to plan too far in advance, my brain rebels. It isn’t a choice on my part; it’s like my circuits overload and my brain just crashes. So I’m making plans for releases and rereleases, but only through January 2024. Things will be updated as I go along.

Second, if I insist that I’m going to write (or even rewrite/re-edit) things by a certain time “no matter what,” it sometimes results in the finished product being forced and not up to the quality standards I want to give to my readers. I need to have deadlines, but I also need flexibility, and I need to allow more time than I think I’ll actually require so that I don’t wind up feeling pressured and start short-cutting and half-assing things. I also need to give myself the freedom to say “Nope, this isn’t working, never mind” on any given project.

Third, and somewhat related to the above, the book I was originally planning to rerelease in September is not a book I actually want to rerelease at this time. Aside from needing more work than I anticipated to bring it to the standards I want, I don’t really connect with either of the two main characters. And if I don’t connect with them, readers won’t either. So this book is on the back burner; over time, I might see if I can do the work it needs not only to fix the current issues with it but also to make the characters people I want to get to know better.

And finally, since I’m now not releasing that book in September, I’ve decided to move my new novel Fill the Empty Spaces up by one month. Fill the Empty Spaces was going to be my November release; it will now be released on October 12. Going forward, I will be planning to release (or rerelease) 4 novels per year. This year, the next two releases will be July 13 (Try the Tofu) and Oct. 12; for 2024, I will be releasing books in January, April, July, and October, with the January and July releases being part of the Real Werewolves Don’t Eat Meat series. The books for April and October 2024 are to be determined.

In between times, I may put out some free short stories or low-cost shorts/novellas, depending on what the writing part of my brain decides to do.

My two priorities with writing and self-publishing are to release good-quality, entertaining stories with characters that readers–and I–like and want more of; and to maintain my mental and physical health and well-being. By changing my plans as I’ve done, and allowing space to follow the writing muse from time to time, my hope is to meet both of those priorities.